Although born a world and decades apart , both William Faulkner and Chinua Achebe be fascinated by tightnesss that permeate impostal tightly-knit communities , especially the tension amidst tradition (the established , the well-kn take , the familiar ) and what Achebe s Michael obi celebrates as modern methods (the new , the unproven , the unfamiliar . In both Faulkner s A Rose for Emily (1931 ) and Achebe s Dead men s track (1953 ) these tensions fracture in profound and provocative shipway , bill of permute attention to not only the problems that arise as these tensions ar made manifest but also the degree of affectionate myopia that occurs when , as Obi proves , individuals are shaped by a misguided zeal (Achebe 478 ) for either ideas from the past or the promise of the futureEmily Grierson is very much a fixtur e of the townshipsfolkship in which she lives At once a tradition , a art , and a care she is a sort of transmittable debt instrument upon [a] town (30 ) that sees her as both a symbolization of their divided heritage and proof of the town s progressive military personate and devotion to more modern ideas (30 ) that effectively remove Emily from protrusion . For Emily , though , modern ideas are minor inconveniences in her haunting attempts to maintain the traditions that had established her family , in her mind at to the concluding degree , as at once central to the town s biography and distanced from its day-to-day workings they were a family , as the townspeople come back , that held themselves a little too high up for what they really were (32 .
In this sense of superiority lies , too , wiz of the focal points of the pressures that Emily is agonistic to stop overure , first from her father for whom no young custody were good enough to court his girlfriend (32 , then from herself as she internalizes the tradition of aloofness as a means of disconnecting herself from the town (hidden under the fazade of noblesse oblige , and in the long run , from the townspeople themselves , who reimagine Emily s eccentricities by way of reinforcing their own whimsey in modern ideas and town history . These pressures come together at the story s end when the town is forced to confront the word picture of the remains of mark Watson , an outsider who reminds them of not only Emily s overwhelm pride but also their own complicity in his get rid of and imprisonment in the Grierson tradition Unwilling to admit that she had been divagate aside by Homer , Emily poisons him unwilling to conf ront their own myopic concomitant to the Griersons as symbols , the townspeople turn a blind inwardness and deaf ear to the implications of arsenic and mischievous odors emanating from the Grierson houseDeath and myopia embrace similarly in Achebe s Dead Men s Path as Micheal and Nancy Obi , symbols of modern ideas and new ways , find their choleric commitment to change devolve into an autocratic disregard for the strong traditions of the village of Ndume . Like Emily , who held dearly to her belief in tradition , Michael is energized , almost obsessively , by a misguided zeal...If you unavoidableness to get a full essay, order it on our website:
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